Elisabeth Pommereul

Elisabeth Pommereul's theme is the nude.
Three tones and a charcoal bring the work to life.
Yet beyond the theme, we discover the naked soul that touches on the canvas,
that touches on life, that touches on the spirit;
As if the canvas, through the powerful energy that it has captured, had grasped the sense of life.
A rhythm that is both a matrix and spiritual, perpetual and unchanging.

With three tones and a charcoal, Elisabeth Pommereul transcends the material.
Not material, nor spiritual,
not male, nor female,
not shadow, nor light.
But an interchanging revelation, each one of the other.

It is a merging and an essence
A confrontation of the senses
Of a rare depth
It is essential.

Mondher Abdennadher
Lecturer at Science Po Paris

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裸体是Elisabeth Pommereul作品的主题。
三种色调及一支炭画笔赋予了作品节奏。
但是，除了主题外，我们还发现赤裸的灵魂在画布上变得兴奋，因为生命而兴奋，因为灵魂而兴奋；
仿佛画布通过其捕捉到的强大能量领会到了生命的含义。

这种节奏既是物质的也是精神的，永恒而持久。

通过三种色调和一支炭画笔，Elisabeth Pommereul超载了物质。
它既不是物质的，也不是精神的，
既不是阳刚的，也不是阴柔的，
既不是阴暗，也不是光明。
而是两种事物之间的相互揭露。

它是一个结合体及本质的东西
是一种不同含义间的对比
一种稀有的浓密度
这是最重要的。

Mondher Abdennadher
巴黎政治学院讲师